Drawing inspiration from Scarpa's exhibition design at Palazzo Abatellis in Palermo, the incorporation of hanging panels introduces elements of transparency and layering into the open exhibition space. These panels hold a collection of photographs, encompassing both older and new works, including the new series titled Look to the Mountain (2022). Over the years, Campers nurtured a fascination with this clock, which stands as a monumental testament to long-term thinking, conceived by Danny Hillis in 1986. The mechanical clock was meticulously engineered to maintain precise timekeeping for the next ten millennia and serves as a poignant reminder of human humility: no civilization has endured for such a span, and a human life comprises merely one percent of this clock's lifespan. Through his project, Hillis sought to look further into the future than what we usually can do. Interestingly, Stewart Brand, a techno-utopian and the visionary behind the counterculture cornerstone Whole Earth Catalogue (1968-1972) teamed up with Jeff Bezos to fund the construction of this clock within a mountain owned by the Amazon founder. Campers created the handmade photographs using the salt technique, a paper-based photographic process invented by Fox Talbot in 1830. This method involves exposing a sheet of paper coated with silver chloride to light within a camera, transforming a negative image into a positive print. The resulting image becomes embedded in the paper, retaining its sensitivity to light. The portrayal of the clock conveys a longing for a connection to deep time, providing a profound understanding of temporal perspectives. Meanwhile, the subtle and gradual fading of the image emphasises the passage of time and the limited scope of human pursuits—an innate tension in our personal, artistic, and scientific aspirations. The series also highlights the co-optation or assimilation of countercultural ideals into the capitalist system, where these ideals are repackaged and commodified for profit or power.